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Wednesday, September 30, 2009
Union Square Free Night of Theater Celebration, October 15-
Wednesday, September 23, 2009
2009 IT Award Recipients Announced
The Winners: OUTSTANDING ENSEMBLE RECIPIENT: Christopher Borg, Jeffrey Cranor, Kevin R. Free, Eevin Hartsough, (Not) Just A Day Like Any Other, New York Neo-Futurists OUTSTANDING SOLO PERFORMANCE RECIPIENT: Jeff Grow, Creating Illusion, soloNOVA Arts Festival OUTSTANDING ACTOR IN A FEATURED ROLE RECIPIENT: William Apps IV, Amerissiah, The Amoralists Theatre Company OUTSTANDING ACTRESS IN A FEATURED ROLE RECIPIENT: Constance Parng, Lee/gendary, HERE Arts Center OUTSTANDING ACTOR IN A LEAD ROLE RECIPIENT: Julian Elfer, Twelfth Night, or What You Will, T. Schreiber Studio OUTSTANDING ACTRESS IN A LEAD ROLE RECIPIENT: Elyse Mirto, Any Day Now, Writer's Forum at Manhattan Theatre Source OUTSTANDING CHOREOGRAPHY/MOVEMENT RECIPIENT: Austin McCormick, The Judgment of Paris, Company XIV OUTSTANDING DIRECTOR RECIPIENT: Suzi Takahashi, Lee/gendary, HERE Arts Center OUTSTANDING LIGHTING DESIGN RECIPIENT: Bruce Steinberg, Blue Before Morning, terraNOVA Collective OUTSTANDING COSTUME DESIGN RECIPIENT: Michelle Beshaw, The Very Sad Story of Ethel & Julius, Lovers and Spyes and about Their Untymelie End while Sitting in a Small Room at the Correctional Facility in Ossining, N.Y., GOH Productions OUTSTANDING SET DESIGN RECIPIENT: Michael P. Kramer, Ragtime, Astoria Performing Arts Center OUTSTANDING SOUND DESIGN RECIPIENT: Asa Wember, Angel Eaters, Flux Theatre Ensemble OUTSTANDING ORIGINAL MUSIC RECIPIENT: Kimmy Gatewood, Andy Hertz, Rebekka Johnson, Sarah Lowe, Jeff Solomon, The Apple Sisters, The Apple Sisters OUTSTANDING FULL-LENGTH SCRIPT RECIPIENT: Nat Cassidy, The Reckoning of Kit & Little Boots, The Gallery Players in association with Engine37 OUTSTANDING SHORT SCRIPT RECIPIENT: Nico Vreeland, Elephants on Parade 2009, EBE Ensemble OUTSTANDING PERFORMANCE ART PRODUCTION RECIPIENT: Creating Illusion, soloNOVA Arts Festival OUTSTANDING PRODUCTION OF A MUSICAL RECIPIENT: Like You Like It, The Gallery Players OUTSTANDING PRODUCTION OF A PLAY RECIPIENT: Lee/gendary, HERE Arts Center ARTISTIC ACHIEVEMENT AWARD RECIPIENT: Maria Irene Fornes STEWARDSHIP AWARD RECIPIENT: Material For The Arts OUTSTANDING STAGE MANAGER RECIPIENT: Jillian Zeman CAFFE CINO FELLOWSHIP AWARD RECIPIENT: The Brick Theater, Inc. About The New York Innovative Theatre Foundation: THE INNOVATIVE THEATRE FOUNDATION is celebrating its fifth anniversary of celebrating Off-Off-Broadway, which recognizes the great work of New York's Off-Off-Broadway—honoring its artistic heritage and providing a meeting ground for this extensive and richly varied community. As advocates for Off-Off-Broadway, they recognize its unique and essential role contributing to global culture. Each season, The Innovative Theatre Foundation publicly recognizes excellence in Off-Off-Broadway, with a high-profile awards ceremony. The New York Innovative Theatre Awards celebrate the community and honor some of the previous year’s greatest achievements. The IT Awards heighten audience awareness and foster greater appreciation of the New York theatre experience. Website: www.nyitawards.com Sponsors: Kampfire Films PR; United Stages; Lights Up & Cue Sound; Five OHM Productions Media Sponsors: nytheatre.com, Show Business Weekly, Stage Buddy, Stagebuzz.com |
Saturday, September 19, 2009
Marrying Meg needs something Green
We at The Fab Marquee were compelled by his heart-wrenching letter (below). We hear most of the production team is working pro bono on this project, but it is not enough. The plane ticket from Scotland to NYC is close to $2,000 dollars.
With an outstanding Broadway cast, Stephen Berger (The Pajama Game, Into The Woods), Stephen Bienskie (Chess, Cats), Stephanie Youell Binetti (Curtains), Harris Doran (2008 NYMF Award for Excellence: Outstanding Individual Performance for Love Jerry), Kathy Fitzgerald (9 to 5, The Producers), Lisa Howard (9 to 5, South Pacific, The 25th Annual Putnam County Spelling Bee), Michael McCormick (Curtains, The Pajama Game, Gypsy, Kiss Me Kate, 1776, Kiss of a Spider Woman), Jim Newman (Curtains, Minelli on Minelli, Sunset Boulevard, The Who’s Tommy), Tory Ross (9 to 5, Cry Baby), and William Ryall (Guys and Dolls, Dr. Seuss’ How The Grinch Stole Christmas!, Chitty Chitty Bang Bang, Chess, How to Succeed In Business Without Trying).
The show opens September 29th, and they would love to have him there.
In these hard economic times I understand it is difficult to donate money, but just posting this on your blog or any kind of social media outreach is an amazing help.
You can donate by visiting this link (http://www.nymf.org/Page.144.Make+a+Donation+Now)
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Dear Friends:
I wonder if you might be able to help me. My Scottish musical comedy MARRYING MEG is to receive its world premiere at this year’s New York Musical Theatre Festival. The show, which I have been writing, on and off, for the last seventeen years (I’m a full-time TV scriptwriter normally), has been a real labour of love for me. It’s a genuine Scottish musical, written by a Scotsman (me!), adapted from a brilliant Scottish play (Alexander Reid’s The Lass wi the Muckle Mou) which is in turn based on two famous folk tales from the Scottish Borders. If nothing else, MARRYING MEG’s Scottish pedigree is secure!
Throughout its extensive development period, MARRYING MEG has reached the finals of three prestigious European musicals competitions, and arrives at this year’s New York Musicals Festival as the only show to have Cameron Mackintosh as one of its official sponsors. Living as I do in the Highlands, I cannot tell you what a thrill it will be finally to see MARRYING MEG staged in its entirety. And in New York of all places! The home of musical theatre!
MARRYING MEG is a fun show with a great big Caledonian heart, and I’m convinced it will appeal to almost anyone with an affinity for things Scottish. I really would like to think I’m bringing a wee bit of Scotland to the Big Apple. I know people say that in order to make your dreams a reality, you have to be willing to beg, borrow and steal. This fall I’m living out my dream. But after borrowing (and even stealing) all I could, I’m now giving begging a try! (Excuse me if I’m not very good at it yet.) Our production is faced with fundraising challenges this year, and while our first weeks of rehearsal have gone incredibly well, the final stretch of our rehearsals is tight. For our first weeks I was able to be with the cast and crew as they rehearsed the show, but now it seems that I will not be able to return to see the actual performances of the production due to cost.
Would you consider making a donation to our show? Every little bit counts, and donations through the website are 100% tax deductible. Plus, donors of $1,000 or more receives two tickets to one of our performances. (Now isn’t that reward enough?) We're also hosting a fundraising party on Thursday, 24 September from 7pm-10pm at Shoolbred's in NYC. Get details on Meg's Engagement Party here.
More information about the amazing cast and creative team, as well as clips from the show can be found at www.nymf.org/marryingmeg. Please also consider coming to see the show that I am so very proud of. Schedule and ticket information are below. With your support, Meg hopes that many a mickle maks a muckle!
With gratitude,
Mark Robertson
Thursday, June 18, 2009
Canada will also 'BARE' this summer
WatersEdge Productions, a new independent theatre company, presents its debut production in Toronto: the Canadian premiere of BARE, the rock musical that has garnered a worldwide fan base since its award-winning Los Angeles staging, and its subsequent sold-out five-week Off-Broadway run. With music by Damon Intrabartolo and lyrics by Jon Hartmere, BARE opens July 17 and runs through to August 1, 2009 with an exuberant young cast of 19 actors at Toronto’s Hart House Theatre tackling themes of teen sexuality, religious angst, and unrelenting social and family pressure.
Following in the footsteps of RENT and Spring Awakening, bare explores the realities facing many of today's teens. With a ceaseless and haunting rock and pop score, this contemporary musical pulses with energy and heartache as it tells the tale of five students at a co-ed Catholic boarding school facing the turmoil of their teenage years. Forced to confront coming of age, coming out, and coming to terms with expectations of parents, peers and the Church, they question where they are in their lives and what the future holds as they struggle to find their own voices.
Jason, the senior class golden boy, wants to hide a secret romance with Peter, his roommate. Peter wishes to drop the facade, but this could destroy Jason’s reputation. When Ivy pursues Jason, the situation becomes even more complex. With themes of forbidden love, alienation and spiritual confusion, bare is a beautiful and moving story that supercedes all boundaries as it talks about love, fear, acceptance, and finding yourself.
BARE received its world premiere staging at the Hudson Theatre in Los Angeles, CA in 2000 and was produced off-Broadway in 2004. Hailed as "a magnificent, totally original contemporary musical extravaganza that explores the schism between youthful passion and theological dogma” by Variety, and winner of multiple Los Angeles theatre awards (including 2001 LA Drama Critics Circle Award for Musical Score, and LA Weekly Award for Best Original Score & Best Musical), bare has garnered a legion of followers throughout the world through a vast amount of online fan sites, MySpace and Facebook pages, and clips on YouTube. 2007 saw the release of BARE the album, a studio recording of the entire show. Its release, only made available through www.barethealbum.com, sold out in its first day, earning it a cult following. It was subsequently released on iTunes.
This ground-breaking production is brought to the stage with up-and-coming director and Artistic Director of WatersEdge Productions, Brian Gregory-Waters. A recent graduate of Brock University in St. Catharine’s where his credits included directing High School Musical, Jesus Christ Superstar and The Who’s Tommy, he now makes his Toronto directorial debut with a young cast of performers from across Canada. WatersEdge Productions is committed to staging socially conscious plays and musicals while also giving young artists an opportunity to perform in a professional environment. BARE is the company’s first production.
For more information and tickets visit www.watersedgeproductions.net
MITF Launch Party on June 28th

For more festival information visit www.midtownfestival.org
'Broadway Bares' it all on Sunday

Tuesday, June 16, 2009
International--The VI Santo Domingo International Theatre Festival (Dominican Republic)

Canada: Heaven
Aside from the shows, the festival’s line-up includes different acting, dramaturgy, directing, set design and puppetry workshops.
Ecuador: La Muchacha de los Libros Usados (The Girl of the Used Books)
Fifteen different theaters in Santo Domingo will be housing this annual theater festival, including their National Theatre, and the Theatre of Fine Arts.

Dominican Republic: Los Clavos (Nails)
For more about the VI Santo Domingo International Theatre Festival, visit www.festivaldeteatrosd.com
Dinelaris, Campbell & Henley Comprise MCC Theater's Upcoming Season

Monday, June 15, 2009
New York Innovative Theatre Awards to honor Stage Managers
The New York Innovative Theatre Foundation, the organization dedicated to celebrating Off-Off-Broadway, is celebrating their fifth year with a groundbreaking announcement: the creation of a new Innovative Theatre Award to honor outstanding Stage Management.
The IT Awards will be the premiere ceremony to showcase the people who are the “glue that holds the whole show together from before first rehearsal until after strike. Our work as designers, performers, and directors is NOTHING without stage managers to understand, interpret, support and execute it in a real-world context.”
A combination of committee and production recommendation will determine the recipient. The nominee must have Stage Managed an Off-Off-Broadway production registered with the IT Awards from January 1, 2009 - May 31, 2009. Similar to the Honorary Awards, an application must be completed for the Stage Manager plus two letters of recommendation must be submitted from people who worked on the production. These applications will be reviewed by a committee comprised of people from the community both stage managers and non-stage mangers including Roberto Cambiero, Stephanie Cox-Williams, Tzipora Kaplan, Rachel McCutchen, Doug Strassler, Morgan Lindsey Tachco, and Jaimie Van Dyke. A recipient will be selected using feedback from IT Awards judges who evaluated how the technical elements of the production flowed during the performance. Applications are due July 6, 2009.
Stephanie Cox-Williams, a Stage Manager who is heading up the Outstanding Stage Manager committee remarks, “Think back through all the staged shows you have seen. Do you know who the Stage Manager was on any of those shows? Probably not. However, the ease at which the show was performed is largely due to a Stage Manager, who may have done everything from coordinating and running scene changes, to making sure actors hit their marks, to making sure the lights and sound are done at the right time and the right level and in Off-Off Broadway, possibly helping with painting, doing laundry, the list goes on. There are awards for directors, lighting designers, sound designers, set designers, best actor, etc, but without a Stage Manager to put all of the pieces in motion, on time and correctly, those elements would not be recognized for a particular production. The IT Awards are taking a big step forward and recognizing the unsung hero of the stage."
The New York Innovative Theatre Foundation is a not-for-profit organization recognizing the great work of New York City's Off-Off-Broadway, honoring its artistic heritage, and providing a meeting ground for this extensive and richly varied community. The organization advocates for Off-Off-Broadway and recognizes the unique and essential role it plays in contributing to American and global culture. They believe that publicly recognizing excellence in Off-Off-Broadway will expand audience awareness and foster greater appreciation of the New York theatre experience.
To learn more about the New York Innovative Theatre Awards, click here.
Thursday, May 21, 2009
The Fab Clip: Nikki Blonsky on The Rob Redstone Show
Come back on Monday to catch the interview and check out past TRRS interviews today.
Thursday, March 5, 2009
Sunday, March 1, 2009
The Gay Agenda strikes with Great Big Broadway Show
Comprising the demented antics of the unstoppable Micah Bucey (FringeNYC Outstanding Performer for The Only Thing Straight Is My Jacket) and the singular sweetness of the adorable Nicholas Williams, The Gay Agenda has been tearing up the New York City underground music scene since 2007 with their unique blend of postmodern humor and innocent sass, defiling such hallowed venues as La Mama E.T.C., The Vampire Cowboy Battle Ranch, and The Bowery Poetry Club. Now, they bring their motley collection of mangled love ballads and disjointed showstoppers to The Players Loft, where their single goal will finally be achieved: Complete and utter world domination through SHOWTUNES.
NYtheatre.com raves: “Bucey and Williams’s music and performances are so compelling and hilarious I would happily watch them under any circumstances. These are two crackerjack performers who have written some incredible songs.”
Armed only with a piano, a trumpet, two booming voices, a bell, and some paper bags, these harmonizing homos spin tuneful tales of predatory barflies, daydreaming prostitutes, evil factory matrons, and lesbian sharks, all while serving up dozens of delicious homemade cookies. It’s a magical, musical world through the eyes of The Gay Agenda, where your feet will tap, your head will think, and your jaw will drop.
For more information, to revel in their exploits, and to douse yourself in samples of their songwriting, experience the wonder that is their blog at:
http://thatgayagendaband..wordpress.com
Shortened Attention Span was founded in 2007 by Carlo Rivieccio and Christy Benanti to give up-and-coming writers an opportunity to see their plays produced in a professional and affordable setting. Shortened Attention Span produces three yearly festivals: A One-Act Festival, A Horror Festival, and a themed festival. To date, Shortened Attention Span has produced some ninety short plays in its festivals.
For more information please go to: www.ShortenedAttentionSpan.com
Monday, February 16, 2009
THE NATIONAL ARTS CLUB ANNOUNCES THE 2009 KESSELRING FELLOWSHIPS FOR PLAYWRIGHTS
Ari Edelson, Artistic Director of the Kesselring Panel, stated, "The National Arts Club is one of the premiere institutional supporters and champions of the arts in NY, and this year the panel was honored to have the Club's support in awarding not just one lead award but two. Over twenty of America's premiere theatres participated in this process and the final selection panel is the only review entity that is truly made up of peer artists, producers and critics. The four playwrights highlighted by this year's awards represent a true cross-section of the bold ways American theatre is moving forward, and we are positive we have chosen four writers we will be hearing from for decades to come."
"In these tough economic times, The National Arts Club was excited to make sure the esteemed Kesselring Felllowships took a lead in ensuring we treasure our best artists," said Aldon James, Jr., President of the National Arts Club. "By giving out two lead awards, we hope we can rebuke the trend of those who are pulling back their arts funding and programming and encourage bold voices like these to show us light in difficult times."
ABOUT THE KESSELRING FELLOWSHIP
For 26 years, New York's National Arts Club has annually highlighted the work of playwrights who show exceptional promise through the Kesselring Prize. Named in honor of beloved playwright and National Arts Club member Joseph Kesselring, author of ARSENIC AND OLD LACE, the Kesselring Prize was first presented by The National Arts Club in 1980, funded by Mr. Kesselring's widow, the late Charlotte Kesselring, and had a mission to highlight the work of emerging playwrights who had not yet received prominent national attention. Previous winners have included Mark Schultz, David Auburn, Melissa James Gibson, Tony Kushner, Nicky Silver, Anna Deavere Smith, David Lindsay-Abaire, Jose Rivera, Heather McDonald, Philip Kan Gotanda, Kira Obolensky, Tracey Scott Wilson, and Marion McClinton. In 2005, The Kesselring Fund was enhanced with a significant contribution by the estate of club member Dr. Paul F. Cranefield Jr..
In 2007, The National Arts Club invited The Exchange and its development center, The Orchard Project, to collaborate in redefining the award to ensure its legacy and maximize the support it provided to NYC playwrights. The new Kesselring Fellowship is committed to generating new work, further ensuring that outstanding playwrights are provided with the tools and support to keep working in NY theatre and contribute to the cultural life of the city.
The Kesselring Fellow receives a large honorarium and additional development support for a project of their chosing, in addition to a committed residency and workshop at the Orchard Project in upstate NY. The tenure of the Fellow will be marked by a reading of a play of their choice at the start of the fellowship and a reading of the new play at the end of the year. The Fellow can also use the year and resources to work on another commission. The three Kesselring Honorees are each presented with an honorarium, a presented reading of a play of their choice, and the opportunity to develop work with The Exchange and the Orchard Project over the course of the following year. All four playwrights will also be included in other literary and artistic events at the National Arts Club over the course of the year. In total, the Kesselring Fellow receives $7500 of direct support and $14,000 of indirect support through development, and each Honoree receives $1500 in direct support and an additional $2000 in indirect support through development.
Thursday, February 12, 2009
RAGTIME takes on Astoria!
New York, NY-February 10, 2009: The new Artistic Director at the Astoria Performing Arts Center (APAC) “triumphs” with Ragtime. The award-winning APAC (OOBR Award for Is There Life After Highschool and 8 IT Award Nominations for various productions) furthers its mission to “bring professional high quality theatre and entertainment to Astoria/Long Island City” by offering the borough an “enormously ambitious and brilliantly executed new production that scales the show down to a very personal level...There's not a weak link in this solid group of performers!” – Curtain Up.
Ragtime is re-imagined, more intimate and offers a unique opportunity to connect with the actors on stage. Wojtunik’s use of space, three-quarter round seating, and utilizing every created entrance is “ingeniously staged ... [making] what was distant and didactic on Broadway seem wonderfully intimate...It's the combining of the actors' voices that appeals, of course, but also Walker's car sitting three feet before the audience. Indeed, Walker's car had been assembled earlier before the audience's eyes -- a triumph of Michael P. Kramer's streamlined and fascinating set design. – Back Stage
Ragtime is the realization of what APAC has been building for eight years in the heart of Astoria. The show is performing just blocks from 30th Avenue, Queen’s restaurant row, and mirrors the community which is “filled with hard-working immigrants, aging life-long residents, and struggling young artists (and, really, anyone else you might imagine), this is a place where you can both see and hear change happening — from the slick new condos creeping up between mom-and-pop Greek diners to the rush of languages that dance through your ears on any street corner.” – Curtain Up.

I strongly suggest you get to see it any way you can - by car or by subway. Even if you have to walk, it would be worth it. What an incredible achievement. It's a triumph on every level... To be moved and entertained by a troupe of so many creative and talented people. The Astoria Performing Arts Center has created something magical and memorable. Go.
- Talk Entertainment
* * *
RAGTIME plays the following regular schedule through Sunday, February 22:
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 6 p.m.
Tickets are $15 in advanced and $18 at the door. Available online at www.apacny.org or by calling 866-811-4111. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to showtime. TDF vouchers accepted.
Directions to the theatre: Take the N or W Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Walk one block South to 30th Road.
Friday, January 9, 2009
Get Raptured with Oberon's Winter Rep 09
12th Anniversary Season: Shakespeare, Saroyan & Dinelaris

Brad Fryman, Oberon Theatre Ensemble Artistic Director, believes, "Although written over 400 years ago, the primal, the Machiavellian, the sultry and the romantic desires captured by The Bard, prevail in modern society. The two plays present contrasting looks at similar themes. In Much Ado, we see two true romantics on the road to marriage and another couple quite opposed to marriage who finally fight their way into each other's arms. In American Rapture the characters are also fighting to find their way, whether it's through relationships, self examination, or violence.”
Winter Rep 2009 will play a three-week engagement at The Beckett Theater at Theater Row (410 W 42nd St). Performances begin Thursday, February 12th, and continue through Sunday, March 1st. Tickets are $20.00 and $13.75 students/seniors. For reservations, please call 212-279-4200 or visit www.ticketcentral.com to purchase tickets online. Tickets may also be purchased in person at Theater Row’s box office, open daily from 12pm-8pm.
Much Ado About Nothing
by William Shakespeare
directed by Mark Karafin
Benedick and Beatrice have vowed to remain single and appear to enjoy their battle of wits too much to ever call a truce. Young lovers Hero and Claudio conspire to change their minds. A romantic comedy about winning the one you didn’t know you wanted most.
Thursday, Feb 12 at 8pm
Friday Feb 13 at 8pm
Monday, Feb 16 at 7pm
Tuesday, Feb 17 at 8pm
Wednesday, Feb 18 at 2pm
Saturday, Feb 21 at 8pm
Sunday, Feb 22 at 3pm
Wednesday, Feb 25 at 8pm
Thursday, Feb 26 at 8pm
Friday, Feb 27 at 8pm
Saturday, Feb 28 at 2pm
American Rapture
Hello Out There by William Saroyan and world-premiere plays by Alex Dinelaris
directed by Alex Dinelaris
Saturday, Feb 14 at 8pm
Sunday, Feb 15 at 3pm
Wednesday, Feb 18 at 8pm
Thursday, Feb 19 at 8pm
Friday, Feb 20 at 8pm
Saturday, Feb 21 at 2pm
Monday, Feb 23 at 7pm
Tuesday, Feb 24 at 8pm
Wednesday, Feb 25 at 2pm
Saturday, Feb 28 at 8pm
Sunday, Mar 1 at 3pm
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Visit www.oberontheatre.org for more information.
Thursday, January 1, 2009
Ingenius Series to Feature 16 plays (Manhattan Theatre Source)

The five-week series, the premiere production of the Source's resident playwright workshop The Writers' Forum, will feature three full-length plays, 13 one-act plays and staged readings of new works by Bill C. Davis (Mass Appeal), Joan Tewkesbury, Robin Maguire and Ellen Boscov. Tandy Cronyn (Cabaret, The Playboy of the Western World) and Sam Tsoutsouvas (Our Country's Good, By Jeeves, Edward II) will star in Joan Tewkesbury's Retrospective as famed artistic couple Georgia O'Keeffe and Alfred Stieglitz. O'Keeffe has been invited to write an essay for her late husband's retrospective at the Met. As she struggles with what to say, Stieglitz appears, and they review the unfinished business of the past only to rediscover the fine line between love and hate. Sarah Baskin, Emilio Delgado and Michael Wolfe round out the cast. Tewkesbury will also direct. Performances are January 20, 21, 22, and 31 and February 1, 6, and 7 at 8:00 pm. There is a matinee Saturday, February 7 at 3:00 pm.
Any Day Now, written and directed by Nat Cassidy, opens the InGenius Series. The Colby family is facing its share of problems. Jackie is doing poorly at school, Josh drinks too much, Beverly is far too controlling and Pen is slipping into senility. But that's nothing compared to the difficulties to come. One of their own is found wandering in the backyard, days after he was buried. And, he's not the only one. The cast features Paige Allen, Arthur Aulisi, Waltrudis Buck, Elyse Mirto, Anna O'Donoghue and Anthony Spaldo. Performances of Any Day Now are January 6, 7, 8, 17, 19, 29 and 30 at 8:00 pm and January 18 at 7:00 pm.

The New York premiere of David Caudle's Carbonell-nominated play Likeness rounds out the full-length offerings. In Colonial Boston, an idealistic young painter scores a career-making gig: the portrait of a wealthy landowner's spoiled daughter. But, there is more to the assignment than meets the eye. Artistic integrity battles ambition, and subject defies artist, as the first rumblings of revolution rattle the studio walls. Jessica Ammirati directs. The cast includes Brad Fraizer, Laurel Lockhart, Ryan Metcalf, Danielle Quisenberry, Stu Richel, and Erin Wilhelmi. Performances are January 9, 10, 11, 15, 16, 23, and 24 at 8:00 pm and January 25 at 7:00 pm.
InGenius will also present three different programs of one-act plays. Program A; featuring works by Vetere, Mendez, L. Pontius (Umbrella), Vanda (Edward Albee Fellow) and Bill McMahon (A Winter Beauty); runs January 12 through 14 at 8:00 pm. Program B follows with plays by Vincent Marano (A Collapse), Laura Schlachtmeyer, Ed Malin and John Watts January 26 through 28, 2009 at 8:00 pm. The one-act series close with new works by Pamela Yaco, John McKinney, Paul Jordan and Jennifer Thatcher February 2 through 4 at 8:00 pm.
For a full calendar of events and advance tickets, visit www.theatresource.org. Tickets are $18 per show. Admission to the staged readings is free.
The Writers' Forum is a think tank for playwrights that meets weekly at Manhattan Theatre Source. It is committed to the development of engaging, new plays. Open since 2000, Manhattan Theatre Source (the Source) is an arts service and producing organization located in the heart of Greenwich Village. Recently named "one of the top five Off-Off Broadway theaters" by New York magazine, the Source launched Obie Award-winning Broadway musical [title of show] and was home to the world premieres of Coronado by Dennis Lehane (Mystic River) and Richard Vetere's Machiavelli. For more information, visit www.theatresource.org.
Tuesday, November 25, 2008
Broadway theater power Gerald Schoenfeld dies

Schoenfeld died early Tuesday at his Manhattan home, said Sam Rudy, a spokesman for the Shubert Organization. The cause of his death was not immediately known.
As the company's chairman since 1972, Schoenfeld helped bring numerous works to the stage on Broadway and beyond. The Shubert Organization owns or operates 17 Broadway theaters and one off-Broadway playhouse, as well as theaters in Boston, Philadelphia and Washington.
Thursday, November 20, 2008
Groundbreaking Off-Off Broadway Venues Study (The New York Innovative Theatre Foundation)
Some of the highlights:
• 43% of all OOB venues are located in the West Side Midtown area of Manhattan
• There has been a sharp decline in the number of OOB productions presenting work in the Theatre District
• The East Village, which only accounts for 14% of the overall OOB venues, is currently presenting 30% of the OOB productions
"The rate of the erosion of our stages is alarming. Over the last 5 years, we have lost 26% of the Off-Off-Broadway stages in the Midtown area. We have watched a steady decline in the number of productions that are taking place in the "theatre district." Even more disturbing is the fact that of the 30 Off-Off-Broadway houses in the Greenwich Village area, over 25% have already been lost and with the displacement of the theatres from the Archive Building, that percentage increases to 40%" said Shay Gines, Executive Director, New York Innovative Theatre Foundation.
"The research and information contained in this report not only substantiate the numbers needed to help effectively advocate for public policy change as it relates to small non-profit theatre in New York City, but it also creates a clear barometer of the passion and fiery commitment it takes to simply exist in the Off-Off-Broadway world."
--David M. Pincus, Chairman, Theater Task Force, Community Board 4
The New York Innovative Theatre Foundation is a not-for-profit organization recognizing the great work of New York City's Off-Off-Broadway, honoring its artistic heritage, and providing a meeting ground for this extensive and richly varied community. The organization advocates for Off-Off-Broadway and recognizes the unique and essential role it plays in contributing to American and global culture. They believe that publicly recognizing excellence in Off-Off-Broadway will expand audience awareness and foster greater appreciation of the New York theatre experience.
Tuesday, November 18, 2008
The Fab Marquee's Antonio Miniño on "A Woman's Perspective"
Friday, November 7, 2008
Seven Playwrights Will Have A Lot Of Coffee To Drink Tonight @ 10:30pm
Michael Weems (writer) & Tanya Fazal (director)
WWSS takes place tomorrow Saturday, November 8th at 7pm & 9:30pm. Tickets are only $12 at the Roy Arias Off-Off Broadway Playhouse (300 West 43rd Street, Fifth Floor.)
To Learn about the other writers, directors, cast, the Award Ceremony that will be taking place at WWSS, and how to purchase tickets visit www.phareplay.com
*Photos are from last year's participants.





